Thursday, September 29, 2005

Golden Desert Eagle Airsoft For Sale



The exhibition on Eileen Gray (1878-1976) at the London Design Museum recognizes one of the most original design of the first half of the twentieth century, whose work influenced both modernism and in the Art Deco.

Eileen Gray studied at the Slade School of Design in London and in full 20's opened a gallery in the famous Rue du Faubourg Saint-Honoré. They innovated with their creations lacquered, with a method he had learned from a Japanese craftsman, furniture and executed with new industrial materials, especially steel tubular.

designed furniture that combine maximum comfort with minimum space: folding chairs and hammocks, which could be drawn to the terrace or kept in any room, an elegant circular glass coffee table and tubular steel frame that allowed breakfast in bed, cabinets, revolving on its axis.

His first major exhibition was at the Salon des Artistes Décorateurs Paris in 1923, but negative criticism warmly Montecarlo its sophisticated toilet, somebody said that seemed designed for the daughter of Dr. Caligari.

This exhibition will also show some of its original furniture, drawings and models of two of the houses he designed in southern France, near Saint Tropez.

The first, in the form of L, which he called cryptic E-1027, was conceived with Jean Badovici and she used the same rigor and identical economy in the interior spaces in interior design, with fixtures and windows that appear and disappear according to design needs.

Gray Between 1932 and 1934 built with the help of local craftsmen another house, near the first, which he named to Pailla Tempe, where he worked with local craftsmen and furniture he designed for comfortable, practical and above all extremely versatile.

continued working until his death in Paris 98 years, but spent the last thirty years documenting their work in a number of books in his apartment in the Rue Bonaparte, and his discovery the public did not come until 1968, thanks to Joseph Rykwert critical.


Rue de Lota Aartamento with Pirogue sofa.

Monday, July 18, 2005

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EILEEN GRAY ANTHONY CARO FT

"I never wanted to do something impersonal, even non-figurative. My preference for abstract sculpture respondíaa a search for something more real, more real and close to my feelings and my refusal to imitation of appearances. I wanted to go beyond the known beauty and say: I am a sculptor. I'm here and this is my job, not just nature. "
Until September 4 Anthony Caro in IVAM in Valencia and in the Summer Exhibition of the Royal Academy of Art London. Table Piece CCLXVI


Tuesday, May 31, 2005

Blood Test Show Signs Of Hiv

INFLUENCES

The exhibition " Art of Tomorrow: Hilla Rebay and Solomon R. Guggenheim " examines the crucial role played by Hilla Rebay von Ehrenwiesen (1890-1967) as founder of the Guggenheim Museum New York and as an artist. Hilla Rebay

studied art in Munich, Berlíny Paris, his circle of friends of the time included Jean Arp, Rudolf Bauer, Juan Gris, Vasily Kandinsky, Fernand Léger, Ben Nicholson, Pablo Picasso, Hans Richter, Kurt Schwitters ...

When in 1927 the Solomon R. Guggenheim, which had one of the largest fortunes in the U.S., meets "the Baroness" Rebay, the art world changed forever. Guided by Kandinsky she discovers he met avant-garde artists who were exiled in the Paisy begins to be interested in the abstract universe. Guggenheim

auction his collection of ancient art. She convinces him to collect non-objective painting, which is termed as abstract art and invited him to help in the creation of what today represents one of the best collections of modern art in the world, Guggenheim Foundation and the Museum of nonobjective art (now Solomon R. Guggenheim Museum in New York ).

Guggenheim Foundation Established in 1937, Rebay began to organize exhibitions from 2 years later and until his retirement shortly after the death of Solomon R. Guggenheim in 1959.