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EILEEN GRAY ANTHONY CARO FT

"I never wanted to do something impersonal, even non-figurative. My preference for abstract sculpture respondíaa a search for something more real, more real and close to my feelings and my refusal to imitation of appearances. I wanted to go beyond the known beauty and say: I am a sculptor. I'm here and this is my job, not just nature. "
Until September 4 Anthony Caro in IVAM in Valencia and in the Summer Exhibition of the Royal Academy of Art London. Table Piece CCLXVI

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The exhibition " Art of Tomorrow: Hilla Rebay and Solomon R. Guggenheim " examines the crucial role played by Hilla Rebay von Ehrenwiesen (1890-1967) as founder of the Guggenheim Museum New York and as an artist. Hilla Rebay

studied art in Munich, Berlíny Paris, his circle of friends of the time included Jean Arp, Rudolf Bauer, Juan Gris, Vasily Kandinsky, Fernand Léger, Ben Nicholson, Pablo Picasso, Hans Richter, Kurt Schwitters ...

When in 1927 the Solomon R. Guggenheim, which had one of the largest fortunes in the U.S., meets "the Baroness" Rebay, the art world changed forever. Guided by Kandinsky she discovers he met avant-garde artists who were exiled in the Paisy begins to be interested in the abstract universe. Guggenheim

auction his collection of ancient art. She convinces him to collect non-objective painting, which is termed as abstract art and invited him to help in the creation of what today represents one of the best collections of modern art in the world, Guggenheim Foundation and the Museum of nonobjective art (now Solomon R. Guggenheim Museum in New York ).

Guggenheim Foundation Established in 1937, Rebay began to organize exhibitions from 2 years later and until his retirement shortly after the death of Solomon R. Guggenheim in 1959.

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During the past 20 years Roland Owsnitzki press photographer has photographed rock concerts from the pit, so far nothing unusual, except that for the project "I Feet" has limited its scope to what was at the height of the eyes: their feet.

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