INFLUENCES
The exhibition " Art of Tomorrow: Hilla Rebay and Solomon R. Guggenheim " examines the crucial role played by Hilla Rebay von Ehrenwiesen (1890-1967) as founder of the Guggenheim Museum New York and as an artist. Hilla Rebay
studied art in Munich, Berlíny Paris, his circle of friends of the time included Jean Arp, Rudolf Bauer, Juan Gris, Vasily Kandinsky, Fernand Léger, Ben Nicholson, Pablo Picasso, Hans Richter, Kurt Schwitters ...
When in 1927 the Solomon R. Guggenheim, which had one of the largest fortunes in the U.S., meets "the Baroness" Rebay, the art world changed forever. Guided by Kandinsky she discovers he met avant-garde artists who were exiled in the Paisy begins to be interested in the abstract universe. Guggenheim
auction his collection of ancient art. She convinces him to collect non-objective painting, which is termed as abstract art and invited him to help in the creation of what today represents one of the best collections of modern art in the world, Guggenheim Foundation and the Museum of nonobjective art (now Solomon R. Guggenheim Museum in New York ).
Guggenheim Foundation Established in 1937, Rebay began to organize exhibitions from 2 years later and until his retirement shortly after the death of Solomon R. Guggenheim in 1959.
Tuesday, May 31, 2005
Thursday, May 26, 2005
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Wednesday, May 25, 2005
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With talent, temperament energíay dared to confront the social conventions and family pressures for this to be themselves.
During the Victorian era, an era marked by the rise of burguesíay the reaffirmation of women, they are made with new roles of women: actresses, botanical, poets, novelists, travelers, sculpture , astronomers, courtesans, researchers ...
" Before Victoria: Extraordinary Women of the British Romantic Era "in the New York Public Library.
Dora Jordan (1752 - 1816), the comic actress of the moment.
Thursday, May 19, 2005
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dreamlike atmosphere, disturbing. Interior drama, loneliness, isolation. Scenes in American suburbs populated by mysterious and inexplicable occurrences. Landscapes desolate, empty streets.
Gregory Crewdson, a precursor of a group of photographers who combine traditional documentary photography with elements of fiction , proposed in "Beneath the Roses" 20 photographs depicting everyday scenarios with a huge burden of unreality, with obvious analogies film, the image construction, lighting, actors, and an atmosphere worthy of Hopper's works or stories of Raymond Carver.
dark images illuminated by shafts of light, as if some outside force comes in contact with the inhabitants of an imagined world
In the White Cube Gallery in London .
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