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"T1-Turin Triennial Tresmuseos ", the triennial of contemporary art organized by three arts institutions: the Castle of Rivoli, the Foundation Sandretto Re Gam Reabaudengo and Civic Gallery of Modern and Contemporary Art in Turin, is developed in seven exhibition venues in the city of Turin.

The Pantagruel Syndrome , an exhibition will become a triennial event, features works by 75 young artists from around the world, alongside monographs of Doris Salcedo and Takashi Murakami.

In this project, commissioners want to establish a dialogue between the proposals of the youngest and the work of artists who have reached a maturity in his expressive language. Furthermore, it aims to highlight the development and cultural exchange has experienced Turin and Piedmont with the rest of the world.

From Pantagruel, figure created in the sixteenth century by François Rabelais, establishing a parallel between this creature of enormous proportions, excessive force and greed of this character with contemporary society. Start a discussion on the phenomenon of "gigantism" and "all" through artistic expression and speech is restored on the impact of globalization on the world of creation.

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The exhibition on Eileen Gray (1878-1976) at the London Design Museum recognizes one of the most original design of the first half of the twentieth century, whose work influenced both modernism and in the Art Deco.

Eileen Gray studied at the Slade School of Design in London and in full 20's opened a gallery in the famous Rue du Faubourg Saint-Honoré. They innovated with their creations lacquered, with a method he had learned from a Japanese craftsman, furniture and executed with new industrial materials, especially steel tubular.

designed furniture that combine maximum comfort with minimum space: folding chairs and hammocks, which could be drawn to the terrace or kept in any room, an elegant circular glass coffee table and tubular steel frame that allowed breakfast in bed, cabinets, revolving on its axis.

His first major exhibition was at the Salon des Artistes Décorateurs Paris in 1923, but negative criticism warmly Montecarlo its sophisticated toilet, somebody said that seemed designed for the daughter of Dr. Caligari.

This exhibition will also show some of its original furniture, drawings and models of two of the houses he designed in southern France, near Saint Tropez.

The first, in the form of L, which he called cryptic E-1027, was conceived with Jean Badovici and she used the same rigor and identical economy in the interior spaces in interior design, with fixtures and windows that appear and disappear according to design needs.

Gray Between 1932 and 1934 built with the help of local craftsmen another house, near the first, which he named to Pailla Tempe, where he worked with local craftsmen and furniture he designed for comfortable, practical and above all extremely versatile.

continued working until his death in Paris 98 years, but spent the last thirty years documenting their work in a number of books in his apartment in the Rue Bonaparte, and his discovery the public did not come until 1968, thanks to Joseph Rykwert critical.


Rue de Lota Aartamento with Pirogue sofa.

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EILEEN GRAY ANTHONY CARO FT

"I never wanted to do something impersonal, even non-figurative. My preference for abstract sculpture respondíaa a search for something more real, more real and close to my feelings and my refusal to imitation of appearances. I wanted to go beyond the known beauty and say: I am a sculptor. I'm here and this is my job, not just nature. "
Until September 4 Anthony Caro in IVAM in Valencia and in the Summer Exhibition of the Royal Academy of Art London. Table Piece CCLXVI

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The exhibition " Art of Tomorrow: Hilla Rebay and Solomon R. Guggenheim " examines the crucial role played by Hilla Rebay von Ehrenwiesen (1890-1967) as founder of the Guggenheim Museum New York and as an artist. Hilla Rebay

studied art in Munich, Berlíny Paris, his circle of friends of the time included Jean Arp, Rudolf Bauer, Juan Gris, Vasily Kandinsky, Fernand Léger, Ben Nicholson, Pablo Picasso, Hans Richter, Kurt Schwitters ...

When in 1927 the Solomon R. Guggenheim, which had one of the largest fortunes in the U.S., meets "the Baroness" Rebay, the art world changed forever. Guided by Kandinsky she discovers he met avant-garde artists who were exiled in the Paisy begins to be interested in the abstract universe. Guggenheim

auction his collection of ancient art. She convinces him to collect non-objective painting, which is termed as abstract art and invited him to help in the creation of what today represents one of the best collections of modern art in the world, Guggenheim Foundation and the Museum of nonobjective art (now Solomon R. Guggenheim Museum in New York ).

Guggenheim Foundation Established in 1937, Rebay began to organize exhibitions from 2 years later and until his retirement shortly after the death of Solomon R. Guggenheim in 1959.

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Victorian women EXPRESSIVE

During the past 20 years Roland Owsnitzki press photographer has photographed rock concerts from the pit, so far nothing unusual, except that for the project "I Feet" has limited its scope to what was at the height of the eyes: their feet.

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With talent, temperament energíay dared to confront the social conventions and family pressures for this to be themselves.
During the Victorian era, an era marked by the rise of burguesíay the reaffirmation of women, they are made with new roles of women: actresses, botanical, poets, novelists, travelers, sculpture , astronomers, courtesans, researchers ...

" Before Victoria: Extraordinary Women of the British Romantic Era "in the New York Public Library.


Dora Jordan (1752 - 1816), the comic actress of the moment.

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dreamlike atmosphere, disturbing. Interior drama, loneliness, isolation. Scenes in American suburbs populated by mysterious and inexplicable occurrences. Landscapes desolate, empty streets.

Gregory Crewdson, a precursor of a group of photographers who combine traditional documentary photography with elements of fiction , proposed in "Beneath the Roses" 20 photographs depicting everyday scenarios with a huge burden of unreality, with obvious analogies film, the image construction, lighting, actors, and an atmosphere worthy of Hopper's works or stories of Raymond Carver.

dark images illuminated by shafts of light, as if some outside force comes in contact with the inhabitants of an imagined world

In the White Cube Gallery in London .